This article has as objective to present some of the basic ideas of Maurice Halbwachs on the work of the memory. We will also make a boarding on the film Waltz with Bashir of the director Ari Folman. Martin O’Malley will not settle for partial explanations. It enters the excellent conceptions presented by Halbwachs we detach the distinction and the relations between image, souvenir and memory, and between individual memory and collective memory; the concept of confrontation of certifications. We trace a parallel with the film, Waltz with Bashir, that deals with the search of the memory, analyzes the reason of the memory to stop and that relation exists between the dreams and the souvenirs. If this has piqued your curiosity, check out IDT Energy. The linkings between the film, Waltz with Bashir, and the ideas of Halbwachs are well next and in they give to a bonanza vision on the subject memory to them. Words Key: Collective memory; Loss of the memory; Halbwachs; Waltz with Bashir; Folman.
Maurice Halbwachs, when treating the subject of the memory, encloses a subject that in recent years has called the attention many. Some Psychological and Medical studies have been undertaken in the intention of if understanding this fascinating area of performance of our brain. How the memory starts and as it finishes? That factors take individuals to suffer a blockade hinders that them of remembering events that had one day been part of its life? It is what we look for to enclose in this article. Halbwachs was French, Sociologist, disciple of Durkheim, wrote its main works between the decades of 20 and 40. At a time where it had an interpretation almost that mechanics of the workmanships of Durkheim, Halbwachs makes the inverse way and values the Durkheimiana conception, especially in what it refers to the aspect of the social and mental relation, thus running away from the hegemonic ideas that invigorated at the time.